Wednesday, May 01, 2013
Sunday, March 31, 2013
Friday, March 29, 2013
Tuesday, March 26, 2013
Saturday, December 29, 2012
Friday, December 28, 2012
Thursday, December 13, 2012
Monday, August 27, 2012
Tuesday, August 07, 2012
Wednesday, July 25, 2012
Cover to MAPUCHE's album
So I was glad to made a woodcut that cover this nice album.
"Producer, musician and now manager of seal (SIC Music) Isaac Varzim advances in its rite of passage with the design sense and Mapuche shows tonight at the festival Floripa Noise, second album, entitled Lowlands.
Sanctity succeeds surprisingly, released last year. Now, the former member of the duo Superpose invests further in testing the fusion of electronic and organic music. A contemporary work that keeps the thin tract and insight of its predecessor, with sorbed indie melodies and synthesized elements (synthpop and house), low-fidelity (lo fi) and downtempo, which refers to another level of sensory stimulation. LCD Soundsystem's school did a good job.
The album has five tracks and will be released digitally on the website of Sic Music (www.sicmusic.net). Sales open today directly on the website or by Album Magazine edited by the seal, which brings only a graphic composition and visual design _ illustrated by Alex Lettnin engraver.
The album has a code to download the album. Those who prefer the warm wafer may appear in the Lounge Zhivago soon, 23h, and watch the show the band".
http://wp.clicrbs.com.br/contraversao/2012/06/21/mapuche-revela-lowlands-hoje-no-floripa-noise/
Friday, July 06, 2012
Monday, May 21, 2012
Saturday, May 19, 2012
Wednesday, May 02, 2012
Friday, February 24, 2012
Saturday, February 18, 2012
Acrylic painting on the wall in the pub Confraria Pelotas
http://www.facebook.com/confrariapelotas
Friday, January 13, 2012
Thursday, September 08, 2011

Stencil on paper
http://www.polifemo.org/mailart/myeverydayobject/
Monday, April 11, 2011
Paul Celan (23 November 1920, Cernăuţi, Bukovina, Kingdom of Romania, current Chernivtsi, Ukraine - c. 20 April 1970, Paris) was a poet and translator. He was born as Paul Antschel into a Jewish family in Romania, becoming one of the major German-language poets of the post-World War II era.
"Only one thing remained reachable, close and secure amid all losses: language. Yes, language. In spite of everything, it remained secure against loss. But it had to go through its own lack of answers, through terrifying silence, through the thousand darknesses of murderous speech. It went through. It gave me no words for what was happening, but went through it. Went through and could resurface, 'enriched' by it all."
Tuesday, February 08, 2011
Collecting - Mail Art Project
Library Exhibition20/02/2011 - ongoing
Opening: Sunday, 20 February 2011 15:00
Thousands of people have special collections which vary from stamps, coins, wrappers of cigars to meaningful words and fond memories. Why do we collect? And how? Many contemporary artists use ‘collecting’ to visualise their artistic concept. They also have the ability to put the principles of collecting into one postcard. The third part of Play van Abbe was about collecting. This was an inspiration for the library exhibition Collecting – Mail Art Project.
For Mail Art project Miranda Vissers has asked interested artists to contribute to this project by means of a postcard, attuned to the theme of collecting. This resulted in more than 250 submissions: postcards, drawings, etchings, paintings, collages, photographic and textile works. All Mail Art works are exhibited in the showcases of the library of the Van Abbemuseum and on the weblog. Also a selection of the Mail Art archives of the museum and the organisers is exhibited. The catalogue shows one work of each artist
To see the submissions, check the library blog,
http://libraryblog.vanabbe.nl/category/mailart/
Saturday, December 11, 2010
PEACE
As the frame that encloses the surface of a painting, a window can be defined as a border, according to Helio Fervenza as a "device that produces the separation of spaces which would be assigned a different status." By linking these spaces, "the sign that is the edge, does not define anything in a rigorous way, he states:" this is an artifact of presentation, while being "included and excluded from the space provided, allowing us to conclude that a curtain would be both a ceiling and a "passing place" or an instrument of mediation between the interior space, occupied by the statement - PEACE - and outer space.
The work PEACE makes the boundaries of the gallery leaking to the world in perpetuity; overflowing move to other situations - not necessarily art - making art constantly visible to the public: closeing the Curtain comes a new exhibition that gives back to the art space, opening up the street, interfering subtly in urban space.
Vertical strips of red fabric to hatch window, warming the gray curtains, making the statement, which can only be decrypted with the distance: a sign that now emerges from the interior and yells to horizontal gaze through the message of peace - necessarily greater the passerby. According to history, Jesus Christ himself once said: "I leave you my peace, my peace I give unto you." There would be no humanity without this little three-letter word.
Alexandre Lettnin






























